Archives: New York, III – Scorcese

As I mentioned in the previous post, mention New York filmmaking and Scorcese would be the first name that comes to mind for many people. (For others, I guess Woody Allen would hold that position.)

As with the city of Ferrara, much of the iconic New York landscape – certainly that contained within Manhattan, at least – has changed beyond all recognition since the days of Travis Bickle, Jimmy the Gent and co. Whilst there are still some more recognisable locations out in parts of Queens and Brooklyn, those would take more time and commitment to reach than I’ve thus far had; we’re talking either get an Uber or hire a car, and a good hour or so negotiating traffic just to visit one spot – not high on the list of things to do on most people’s Big Apple vacation itineraries! (I’ve also read that certain of the locations are in neighbourhoods where, even nowadays, you’d be ill advised to hang around with cameras and a touristy-looking demeanour.)

However, there are still one or two glimpses of locations from Taxi Driver, Goodfellas et al to be had here and there.

Taxi Driver

Of the places Travis Bickle roamed in ’76, several that I’d love to be able to document such as the area around Broadway / Times Square – that was at the time synonymous with sleazy clubs and cinemas, and the epitome of New York’s image as a latter-day Sodom and Gomorrah – are of course still there, but bear little resemblence now barring the basic building geography. There are a million photos of Times Square – I’ve taken many – but there seems little point including them here. Besides, other blogs elsewhere have done an admirable job of showing how little those areas now resemble their 1970s selves.

Those streets were not so much changed when I first visited the city in the summer of 1981; however, I was way too young then to ‘appreciate’ them fully! (But I can at least say I saw them.) Besides that particular den of iniquity, the other key location I wished I could see was the area around 57th & 12th where the parking garage was located, and where we first see Travis wandering in to look for a job. Alas, here not even the basic building shells remain; whole blocks of that area have long since been demolished. A fancy feat of modern architecture (a theatre) now sits where the garage once did, and the industrial buildings at the Hudson end of 57th beyond the (now) ‘Joe DiMaggio Hwy’ have been levelled.

So, having begun once again with a little lament for what once was but no longer is, let’s spend much less energy (as seems to be my way with these NYC posts!) on what’s still there.

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First up, we have candidate Palantine’s campaign HQ at the SE corner of W63rd & Broadway, where Travis first encounters Betsy [in a white dress…]. Although I haven’t bothered with ‘general areas’ that are still there but look totally different, I feel this merits inclusion since it is a specific building location – even though the old building has been by the looks of things demolished and a new one built on its spot. (It’s a dull Bank of America branch at ground level, and a nondescript apartment block above, now.)

The other location ‘hit’ I have for Travis – this one far more obvious – is the Maine Monument at the very SW tip of Central Park, next to Columbus Circle; here Travis makes his failed attempt to assassinate Palantine.

As you can see, I made no attempt to get any ‘like for like’ angle shots here. That’s something I’ve only occasionally dabbled with, though – as with many things – I regret that I haven’t made more of an effort at times 🙂 (However, such errors and omissions simply give me a reason to keep revisiting places, no?)

Goodfellas

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Just one location for this at present; it’s the exterior setting for the ‘Copa’ restaurant, where Henry takes Karen on a date and – in one of the most audatious and famous scenes in the movie – if not in cinema – we follow them all the way from the valet parking to their hastily arranged prime table in front of the stage in one continuous tracking shot. The building can be found at 10 E60th St. (on the South side of the street), and was handily just a stone’s throw from the hotel on 5th Ave where I spent my honeymoon.

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As you can see, the building is unchanged in terms of the basic stonework, and the architectural features of windows, lintels, doorways etc. (as of September 2014, at any rate).

That’s it for my Scorcese hits, until at least the next time I manage to get back to NYC, that is.

Archives: New York, II – Ferrara

Mention New York filmmakers, and Scorcese is of course not far from the mind; however, if there’s any name that for me is synonymous with capturing the Apple’s rotten core, it’s that of Abel Ferrara. His grimy, scummy street-level view is New York – at least, the New York by which I first became captivated.

In terms of scouting his movies, the big one would always be ‘Driller Killer’; but alas, most of the locations for this still elude me at present. There are glimpses of general areas that are identifiable – the taxi ride along Central Park, broadly identifiable neighbourhoods – but nothing concrete. Even with some clue from interviews and snippets from the director’s commentary (when he’s not utterly slurring hilarious drunken nonsense), the grainy 16mm footage, shot mostly at night, affords few readily verifiable location hits. I’ve tried freeze framing and using Google Streetview around the general areas I think scenes might have been filmed, but of course gentrification and the big clean-up of the city make this undertaking extremely challenging.

So, one day some more concerted efforts may see me finally cracking some of the DK locations; in the meantime, here we are with a couple of locations from other movies of his that were somewhat easier to track down.

Angel Of Vengeance (Ms. 45)

As with ‘Driller Killer’, much of the action takes place in a New York that only partly now exists; albeit, that some of the street scenes that are shot at daylight should be easier to pick out (I’ve not yet tried in any concerted form). But one of the film’s most balletic set piece scenes is easy enough to locate, taking place around the Bethesda Fountain in Central Park.

Here we pick up Zoe Tamerlis (heavily in shadow) heading round the Jackie Kennedy-Onassis Reservoir, along with a nighttime shot I took in 2009, when it was much safer for those besides Warriors and Avenging Angels to mix with the Park’s nighttime denizens:

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Moving on, she descends the steps from Terrace Drive – I appear to not have taken any photos showing the staircase in full view, just one very close up shot of a decaying duck (!), so that’ll have to do:

Note: I’m fairly sure that the duck is actually on one of the two ‘grand’ staircases that come down onto the lower terrace; Thana descends the ‘lesser’ staircase that takes you under Terrace Drive. (But we’ll count it eh.) The lower passage gallery has been restored in latter years to its – quite dazzling – former glory; but in Abel’s New York, it was dirty and graffiti-ridden; probably not a place you’d want to be hanging out after dark:

From the terrace end of the gallery, you see the lower terrace with the Bethesda Fountain, topped by the famous ‘Angel of the Waters’:

And, finally we look down on the lower terrace from above. at the mosaic tiling floor where, in a strikingly Sergio Leone-esque sequence, Thana springs the trap she has set. would-be hunters becoming prey to her .45 calibre rampage:

So there we have it, a little walk in Thana’s footsteps through Central Park.

The King Of New York

Ah, what a movie this is; I really should watch it again and try to pin down more of the locations. (I’m sure there are some more obvious ones that I’ve already visited; I’ve just never watched the film with a ‘location scouting head on’, as such. If I ever do, I may come back and add them in here.) So far, I have only one that I happened to know of at a point where I was in NYC with time to wander. It can be found in the now-upscaled (of course) DUMBO area of Brooklyn, right in the shadows of the Brooklyn Bridge, and formed the scene of one of the many bloodbath shootouts instigated by Frank White and his crew:

Here it is in daylight, in a time where the coffee costs more and the craft beer is plentiful (hey I’m not knocking it, I love both of those things too!):

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Dumbo

The location is pretty easy to find, but what the hey – I’ll drop a pin for it anyway as it’s a little less on the ‘normal’ tourist trail for the typical NYC visitor. It’s at 45 Water Street in Brooklyn, and the building is actually “St. Anne’s Warehouse”, which now lists itself as an ‘Avant garde theater and concert venue’. How very. A quick jaunt there on Google Street View shows that, much as you would expect, it’s been completely refurbished since this shot which was taken in 2014. So there we are. As a little bonus, just up the street from here is an iconic view that appears in ‘Once Upon A Time In America’; I’ve got a photo of that, but this a Ferrara post so that’ll have to wait for another time.

Archives: New York, I

From way back before I started up this blog site, I had accumulated a number of “hits” of movie locations during my varied travels. These are mostly now spread across a completely random jumble of DVDs, USB drives, Flikr albums and the like.

The exact ‘story’ details behind each visit may now be getting hazy, so rather than try to recreate proper per-movie posts for any of them, I thought I’d just work on putting up some archive-bucket type posts containing whatever snippets I come across. First up: New York.

Obviously, the Big Apple is one giant freaking film set. Even the very first time you visit (I think I’ve been on 6 separate occasions so far, spanning from 1981 to most recently in 2017) you cannot help but feel that massive swathes of the skyline and city are instantly familiar, so iconic are its views. I’d be willing to bet you can hardly turn in any given direction in central Manhattan, and not see a location that had appeared in something at some time or another. As a result, I’ve never tried to find “the movie for each location” when I’ve been there, or even to bother recording a lot of places that I know appear in one or more movies. Rather, I’ve just focused here on a select few locations-for-movies that fit into my particular Channel 83 aesthetic. (Not even all of my specific-visits and photographs are recorded here. I’ve seen the globe inside the Daily Planet offices from ‘Superman’; I’ve seen the table in Kat’z Deli where Sally faked out Harry; I’ve walked down the path where Nic Cage crashes into the boating lake in Central Park, watched by an amused Bridget Fonda in ‘It Could Happen To You’. All memorable, but not so on-point for this blog.)

Personally, my cinematic love-affair with the city grew mainly out of the old horror and exploitation movies of the 70s and early 80s; films such as Driller Killer, Zombie Flesh Eaters, The New York Ripper, Taxi Driver and so on evoke a nostalgic sense of a since-sanitised New York that was grimy and edgy, and felt as alive with danger as it did possibility. It’s probably a “much nicer place” to visit, these days (I always have a wonderful time there, and feel safer there than I do in many parts of London) – but it has undeniably lost some of what made it seem so vital and compelling.

Anyway – enough with the random waffle, let’s make with the random pictures.

Escape From New York

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Go on then: I’ll include a picture of the Statue of Liberty – purely because John Carpenter used it as the location for the ‘Liberty Island Security Control’ centre in his 1981 masterpiece. You don’t really need me to drop a map pin for this one, eh.

(But just in case there’s any doubt, there it is in glorious 80s ‘computer graphics’. I have this on a t-shirt, from the excellent Last Exit To Nowhere.)

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(From a visit in August 2014.)

Zombie Flesh Eaters

The closing scenes of Fulci’s tropical chomp-fest see his iconic, shambling dead crossing the Brookyln Bridge into Manhattan. I’m sure the people I’ve caught on camera during my several visits and strolls across were much nicer. Probably. Zombies have entered the building!

Zombie-5

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Again, I can’t see a map pin or location-finding details being necessary for this one. (The 2nd picture above is again from an August 2014 visit.)

Coming in the next NYC archive post(s): Taxi Driver, Goodfellas, and more.